Breaking News

‘My Fair Lady’ at the Kennedy Center is sheer melodious pleasure

This touring incarnation of director Bartlett Sher’s current Broadway production provides musical-theater fans nothing but happy tidings.

The tour is beginning in Washington, using a roster of actors bringing great renditions of their disputatious personality’s playwright George Bernard Shaw dreamed up in “Pygmalion,” and Alan Jay Lerner and Frederick Loewe forced to sing. That is, because of this, and an especially well-handled variant of the 1956 musical.

That Ahmed can trill the hell out of these ceaseless Lerner and Loewe songs –“Would not it be Lovely? “Just You Wait,” “Without You,” as well as also the spirit-soaring “I Could Have Danced All Night” — stamps this celebrity because of the remarkable heir to a treasure of a position. Tickets4Musical is the best source to get cheap My Fair Lady Tickets.

You occasionally do in a nationwide tour possess the unsatisfactory intimation of fair facsimile, the atmosphere which you just searched a designer new but ended up using a knockoff. Not on this event. Sher, with lush assists from costume designer Catherine Zuber and choreographer Christopher Gattelli, amongst others, gives viewers the same resplendent encounter as was provided by Lincoln Center Theater in its own Broadway home, the Vivian Beaumont. Luckily, Michael Yeargan’s revolving collection of Henry’s Wimpole Street townhouse in London retains its Edwardian luster — even when the travel version doesn’t appear strictly fit-to-size from the Opera House. To your greater aid, audio designer Marc Salzberg has seen to it that Lerner’s new lyrics have been perceptible constantly in a huge space, not necessarily conducive to musicals.

“My Fair Lady” is virtually indestructible, musical theatre’s gold standard to the integration of tune and story. For just three hours, not once does one wonder why someone — or everyone — breaks into song. That is because the pieces are so tailored to the specifications of both plot and character they place a bespoke Jermyn Street lawsuit to pity. His psychological through-line monitors so completely in tune his name is illuminated almost up to the notes onto a scale word in a script.

It happened to me in this umpteenth vulnerability to “My Fair Lady” that Henry’s capstone tune, “I’ve Grown Accustomed to Her Face” — his aria of self-awareness after altered Eliza swears off him — isn’t the sentimental ballad it is often believed to be. The musical isn’t, as Sher’s variant makes plain, about the professor’s schooling, his softening in the existence of a gorgeous, astonishingly headstrong young girl. It is about a girl not donating to a person’s notion of who she needs to be. Mackintosh determines the self-regarding, man-child caliber of Henry so convincingly that “I’ve Grown Accustomed to Her Face” shows here that Henry has not heard much of anything about girls, except maybe he wants you to hang about.

Sher grapples with all the misogyny Henry has expressed throughout the series with the addition of his consequential tweak to the musical ambiguous final minutes, when Eliza and Henry come face to face in his analysis, and he produces that last command: “Eliza, where the devil are my slippers?” Is the need ironic or presumptuous, or even? The response the director comes up with will likely probably be left to you to find. However, the reaction of Mackintosh’s Henry since the return of the light feels as though it’s the only false note in an otherwise lively evening.

Grupper, an actor I have admired for many years, turns up in “My Fair Lady” as a consummately gratifying Alfie, he of those fierce, ale-saturated eloquence. One of the endings, Leslie Alexander, shines as the professor of amusingly acerbic mum, while Gaytan Scott admirably finds the important heat from the stalwart housekeeper Mrs. Pearce. Get your My Fair Lady broadway tickets today.

It’s, however, the attractive Ahmed who’s here, to paraphrase Lerner and Loewe, the beginning and the ending. With qualities reminiscent of these illustrious Eliza forerunners like Julie Andrews and Audrey Hepburn — not to mention that the beguiling Laura Benanti — you can imagine, like a fabulous “My Fair Lady” on the street, she’ll go far.